![]() The square is a basic shape and a quadrilateral with 4 sides and 4 right angles. These symbols are used to create geometrical objects such as lines, circles, rectangles etc. Construction of bridges, skyscrapers, floors as well as roads takes great use of it. That has played a significant role in construction activities since the discovery of the structural strength of concrete and man's imagination to make more beautiful buildings and houses. That makes it more understandable, more convenient and easier. Using these symbols allows us to represent lines and curves without using a lot of text or formulas. Geometry language consists of a set of geometric symbols and rules for their use. Who knew that there was so much math behind all of these different figures? Math is an incredibly important piece of geometry, and is essential in understanding it fully. You’ll see this concept often in art and design because it’s pleasing to the human eye.Geometry symbols, and the meaning behind them, can be quite confusing. You’ll notice each square corresponds with the Golden Ratio formula above.Ĭontinue this sequence, and you’ll create a spiral. Starting in one corner of the individual square, and ending in the opposite corner will make the first curve. You’ll see how this applies to spirals, I promise!īy using the Fibonacci sequence and Golden Ratio, you’ll create the spiral shown below. Whew, you read that a few times, didn’t you? If you’re more of a visual person like me, let’s look at an example. You can find the Golden Ratio by dividing a line into two different lengths so the longer part, divided by the smaller part, equals the entire length divided by the longer part, which both equal 1.618. The Golden Ratio came from the Fibonacci sequence and was created to clarify the difference between any two numbers in the series. 1, 1, 2, 3, 5, 8, 13, 21 and so it will continue for infinity. The Fibonacci sequence is a progression of numbers whose sequence is the sum of the two numbers that precede it. These can get really detailed and in-depth, and I’m in no way a mathematician, but let me attempt to give you the basics! When it comes to spirals in Sacred Geometry, you’ll often hear the terms Golden Ratio ( aka Golden Section) and the Fibonacci sequence referenced. Additionally, they are sometimes used to symbolize Spirit or Aether. In many different cultures, spirals symbolize spiritual growth, enlightenment, movement of energy, expansion, the development of the soul, and cyclical patterns (seasons, lunar cycles, etc.). Spiral patterns manifest in Nature through many forms like ammonite, horns, shells, pineapple, tornados, spider webs, galaxies, and our DNA, to name a few. The example below – The Tree of Life within The Flower of Life Other patterns use the Flower of Life as a prototype and then expand on the original design (like Metatron’s Cube, Vesica Piscis, or Merkaba). The Flower of Life symbol can be found in many ancient religions and places throughout the world, including esoteric Jewish mysticism (Kabbala), Greece, China, Ancient Egypt, and Turkey, to name a few.Īnother reason the Flower of Life is considered so revered is that many other Sacred Geometry symbols can be found within this pattern (like the Tree of Life or simplified versions of the Platonic Solids). Symbolizing a natural and continuous pattern within a beautiful single flower. The sacred geometry meaning represents harmony, connection with Nature and the universe, a visual depiction of life, and growth (relationships, business, spiritually). You can see this visually, beginning with the center circle and moving outward with each loop. The Flower of Life symbol comprises 19 overlapping symbols and represents that all existence, creation, and knowledge originate from the same source. ![]() This creates abundance, generosity, kindness, and is essential to the development of consciousness. This understanding will align your soul and spirit with the universe and help you develop a greater sense of awareness in your Self or spiritual practice. This is because synchronicities are simple expressions of harmony in Nature. ![]() ![]() Observing patterns and understanding Sacred Geometry in its natural and basic form can help guide us to more profound knowledge and deep spiritual meaning. Sacred Geometry reveals the source creation of the universe, and the evidence can be seen in the natural world around us. Therefore, every natural pattern or symbol allows us to discover a bit more behind the chaos of creation.īoth scientific and spiritual minds can observe the patterns created mathematically, musically, theoretically, in Nature and the Universe. Sacred Geometry is the ancient scientific belief that the entirety of the universe is connected.
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![]() Not wanting to bathe in used water, Kiff decides to call "switchies" with the Buns siblings in order to go first but inadvertently causes them to quarrel with each other. "The Fourth Bath": Kiff is excited to sleep over at Barry's house until she finds out that the Buns share bath water, and that she will take the fourth bath. ![]() However, Barry creates a photo of a basketball painted with Kiff's face on it drinking the fountain, satisfying the squirrel. She sets up various schemes to get past her dad and in school, and it almost works - but she ends up falling asleep and misses out. "Thirst to Be the First": Kiff is ready to be the first person to use the school's new water fountain, but a bad case of "droop-tail" ends up ruining her plans.
![]() ![]() Capcom, Mega Man LegendsĬomments Off on Marvel vs. ![]() Tags: Denjin Makai, gfx generators, Konami, marvel comics, Marvel vs. You won’t be sorry, my friends.Īlso, Happy Gaming, I mean, Happy Belated Birthday to Rinry of RinryGameGame!įiled under: ScrollBoss Updates, Updates by PrimeOp Wizzy, creator of authentic-sounding CPS2-style remixes and original music that can go toe-to-toe with Capcom’s BGM’s, has an announcement:Īs the Tiny Titans would say, “AW YEAH MAN!” Hit the video’s page for more details and download links while remembering to subscribe to his channel. Reference should be a bit easier for me now. The She-Hulk and Taskmaster sprites were done before I got it so I had to use video stills for pose reference. Game List – Another surprise gift leads to a new addition to the list: Marvel vs. Mini-logos – Tron Bonne added to the Capcom section and Taskmaster added to the Marvel section. Logo Index – Four Denjin Makai series logos (Denjin Makai, Denjin Makai II/Guardians and Ghost Chaser Densei), two Shock Troopers (parts 1 and 2) and one Earthworm Jim added. Sprite Rip Downloads – MrGrill247 kindly passed along some more rips made by Makron in the form of some background parts from Guardians/Denjin Makai II. Added two six-player cinema graphics to the X-Men (Konami arcade) gallery. Villains and more will be added in a future update then I’ll move on to finally getting some Guardians/DM2 stuff here. Sprites – New Denjin Makai page started with a few sprites of the heroes along with their pictures from the intro and their portraits. Captain America has new palettes.Ĭustom Sprites – She-Hulk and a new Taskmaster taunt sprite added to the Marvel gallery. Capcom 3: She-Hulk, Tron Bonne and Taskmaster (with a new sprite edit). ![]() GFX Generators New characters to celebrate the release of Marvel vs. There have been some minor adjustments to the sidemenu navigation including the new Info Center page that leads to the Game Index, Company Index, S-Files, Vernacula-X and information-related things like that. ![]() ![]() ![]() Mina Loy describes herself during these years as a reclusive hermit crab. ![]() The Haweises were friends with the Anglo-American community in Florence, including Muriel and Paul Draper, Leo Stein, and Mabel Dodge (Luhan), who took up residence at the Villa Curonia in 1910. Joella's affliction by polio in 1909 led Loy to a lifelong commitment to a personal version of Christian Science. She also suffered from neurasthenia, which probably originated in her unpreparedness for motherhood, financial worries, and marital unhappiness that ended in Haweis's departure for the South Seas in 1913 and divorce in 1917. Loy continued to paint and exhibit her work in England and Italy, but she was frequently ill. Two more children were born-Joella (1907-) and Giles (1909-1923). The Florence years (1906-1916) brought personal problems as well as Loy's emergence as a modern poet. When Loy was twenty-three, they moved to Florence, Italy. Loy and Haweis exhibited in the Autumn Salon for 1906 (a critic for the Gazette des Beaux-Arts said her painting combined the styles of Constantin Guys, Felicien Rops, and Aubrey Beardsley while his resembled James McNeill Whistler's). The death of the Haweises' first child, Oda Janet (1904-1905), began the series of tragedies that stalked Loy for the next twenty years. Loy and Haweis met many of the emerging modernist artists and writers of Paris, including Gertrude and Leo Stein in whose salon they were introduced to Guillaume Apollinaire and Pablo Picasso. She moved to Paris in 1903 to continue her study of art, changed her name to Loy, and married Haweis on 31 December 1903. ![]() In 1901-1902 she returned to London, where she studied with Augustus John and exhibited in student shows she also met her first husband, art student Hugh Oscar William Haweis, who called himself Stephen Haweis ("Esau" in Anglo-Mongrels and the Rose). Loy's family did not believe in formal education for women, but Lowy, an indulgent father, sent Mina at seventeen to study art in Munich. She treats "Exodus," the father in the poem, more sympathetically an immigrant buffered by British proprieties and prejudices, Exodus seems a composite of Loy's father, a tailor, and her paternal grandfather, a Hungarian Jew. The long autobiographical poem Anglo-Mongrels and the Rose (published in installments in 1923-1925) focuses her resentment on her mother, "Alice" in the poem, whom she depicts as both victim and executrix of English mores. Oldest of the three daughters of Sigmund and Julia Bryan Lowy, Mina Gertrude Lowy early rebelled against the conventional expectations for women held by her prosperous middle-class family. ![]() Then in the 1940s and 1950s began the rediscovery of Mina Loy by the radical current of modernism (running from Stein, Pound, and Williams to Kenneth Rexroth and the Black Mountain poets), and in the succeeding decades feminist poets and critics recognized in Loy a very contemporary ancestor.Īlthough numbered among the Americans, Mina Loy was born in London, England, and educated in the art capitals of Europe. In their memoirs Loy's contemporaries made a legend of her beauty and personal tragedy literary historians occasionally remembered her as an exotic fringe figure of the American and Dada avant-gardes. Most such recognition came to Mina Loy in the decade 1914-1925 thereafter she gave less attention to poetry and withdrew from the literary scene except for infrequent little magazine publications. Ezra Pound, writing to Moore in 1921, placed Mina Loy among the most promising insurgents: "Entre nooz: is there anyone in America except you, Bill and Mina Loy who can write anything of interest in verse?" Alfred Kreymborg remembered in his autobiography, Troubadour (1925), that for the first issue of Others (July 1915), a raffish "yellow dog" journal more tolerant of innovation than Poetry, he and coeditor Walter Arensberg agreed that poems by Loy and Wallace Stevens were a must. She has always been able to understand." William Carlos Williams in his prologue to Kora in Hell (1920) divided the psychic landscape of New York's avant-garde into the Dionysian South of Mina Loy and the fastidious North of Marianne Moore. was able to understand without the commas. Toklas (1933) remembered that in 1913 Mina Loy did not ask for the addition of commas when she read the manuscript for Stein's The Making of Americans (1925): "Mina Loy. Gertrude Stein in The Autobiography of Alice B. Loy was too radical for Poetry's editor Harriet Monroe, who published her poetry only in a review article, but the generation's more innovative members admired her defiant honesty of subject and applauded the new directions she advanced for poetry. Mina Loy, poet and painter, was a charter member of the generation that-beginning in 1912 with the founding of Poetry magazine-launched the modernist revolution in poetry in the United States. ![]() |
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